Saturday, July 20, 2019

The Moon Card

The Moon, another view

Fifty years ago, on July 20, 1969, Astronaut Neil Armstrong spoke to the world from the surface of the moon. The Apollo mission to land on the moon had succeeded.  It was “one small step for man, one giant leap for mankind,” he said as he and Buzz Aldrin walked on the moon.
What is our attraction to the moon?  Why were we going there? Were we just “Moonstruck?  


“It is the symbol of natural rhythms of the transformation of elements, of time
that passes periodically, re-purposing everything.”
BOTA 
(Visconti Tarots, Giordano Berti & Tiberio Gonard, Lo Scarabeo, 2002)

First, some thoughts on what the moon is doing and how it has affected past civilizations, before a discussion of The Moon card in Tarot. We can see that the moon is always in motion, rising in the east and setting in the west, moving about 12 ½ degrees each day. In the reflected light from the sun, it changes appearance from full to shadow in about 29 ½ days. It is waxing to light and waning to dark, and then we are amazed to see a full moon when it is opposite the sun. Furthermore, it’s position in the sky is changing over an 18.61-year period from maximum declination, where it appears going more north, and then in minimum, it appears in the south. Every day, we experience the moon’s gravitational pull on the earth in high and low tides and women are especially affected by it.

Seeing the moon at Stonehenge and Avebury -  
Stonehenge Alignments

In archeoastronomy, it is thought that early cultures in Britain viewed themselves as an integral part of their natural surroundings. We can see today that they constructed monumental arrangements of stones in astronomical alignments that expressed their reverence of Mother Nature and the sky. Modern day examination of the stone placements and alignments show that early peoples measured the movement of the sun and moon in relation to the earth in places like Stonehenge in England and, as far away as the buildings of Chaco Canyon in New Mexico. The builders of Stonehenge not only measured the position of the rising sun on Summer Solstice, but also followed the moon’s 18.6 years cyclic movement in the heavens, which has now been confirmed by astronomers. (See In Search of Ancient Astronomies, ed. Dr. E.C. Krupp of Griffith Observatory, McGraw-Hill, 1978.) Studies were made of a series of 56 post holes surrounding Stonehenge called the Aubrey Circle, which included 2 stones that are positioned opposite each other indicating an alignment of moonrise and moonset at major and minor standstills. It is also possible they could predict eclipses of the moon here. Not only did they see the sun rise over the heel stone on summer solstice, they could also watch the moonrise on Winter Solstice in the dead of winter.

The mystery of Avebury    
Avebury (photo card Bob Croxford)
Furthermore, not far from Stonehenge, we come upon the great stone circle of Avebury and enormous mound, Silbury Hill, where it has been conjectured by Michael Dames in his book, The Avebury Cycle (Thames & Hudson, 1977), that a vast immanent Mother Earth Goddess figure can still be seen on the farming landscape. Ariel photographs seem to confirm that. Mr. Dames proposes that watchers on Silbury Hill (interpreted as the womb of the goddess) could observe the full moon rising as it was reflected in the waters of Swallowhead Spring, which could be construed as the Goddess giving birth. It seems the early people’s belief was that Mother Earth and man were celebrated as one in Nature and they constructed the giant figure to represent seasonal changes that affected their farming lives; the planting and harvest. Up until the 1930’s, country fairs and celebrations took still place on the upper body of the figure at harvest time.

“…the monuments were created as a coherent ensemble to stage a religious drama
which took one year to perform”
The Avebury Cycle, Michael Dames (Thames & Hudson, 1977)

Pueblo Bonito (Impact Photo)
The pueblo ruins of Chaco Canyon - 
In 2006, I watched a magical moonrise over the silent, flat landscape of Farmington, New Mexico, near Chaco Canyon. In the clear night sky, it was enormous, bright and unforgettable. It is no wonder that the nearby early pueblo builders established symbols and stations within their stone buildings for viewing the rising and setting motion of the moon. What a grand nighttime inspiration for the people to celebrate and invoke nature spirits in mystical ceremonies with kachina costumes and dances held in secret kivas. Their belief was that every living thing had a spiritual counterpart, and atmospheric conditions were part of their supernatural world – rain, clouds, steam, the sun and the moon were there to guide them. Through complex rituals, they invoked supernatural beings (kachinas) to help them find water, bring rain, and make plants grow. They made elaborate masks and costumes and danced in seasonal ceremonies as representatives of a particular kachina at each season of the year.

“A kachina impersonator is believed to receive the spirit of the kachina he depicts
when he wears the mask.”
Southwest Indian Ceremonials, Tom Bahti, (KC Publications, 1982)

At Fajada Butte in Chaco Canyon, the artist Anna Sofaer, discovered a spiral petroglyph that was crossed by a “sun dagger” of light on Summer Solstice; a kind of sundial carved in stone. It also indicated major and minor standstills of the moon in cast shadows on the spiral. In the CD, The Mystery of Chaco Canyon, narrated by Robert Redford, he points out that the National Geodetic Survey has discovered that several of the buildings in this area are aligned with the motions of the moon and also indicated the path of the sun. This must have been very important to them to go to such great lengths to incorporate astronomical alignments into their buildings. At Pueblo Bonito, the sun sets along a central wall on the days of the equinoxes. At Chimney Rock Pueblo, the rising moon is only visible between the two chimneys at the major northern standstill, which occurs once every 18.61 years.

“Much of the Puebloan lore revolves around women and children, and pregnant women are most vulnerable to the dangers of an eclipse.”
Prehistoric Astronomy in the Southwest (Malville & Putnam, Johnson Books, 1993)

The status of Chaco Canyon today -
Currently, the area around Chaco Canyon is under threat. The government is leasing 6.2 million acres of federal land for drilling by the gas and oil industry. But for the moment, the 10th Circuit Court has reversed or suspended hundreds of leases for drilling near Chaco Canyon. A one-year moratorium was passed by the house of Representatives for review of the current situation. (For more information, see solsticeproject.org)

Tarot interpretation of The Moon card       
The Moon TOCC
Marseille Deck
In Tarot, we are talking about a different kind of experience for Tarot lovers. The Moon card is usually interpreted as symbolic of the human waxing and waning of our mysterious inner states, which are always in flux.  You can expect change and fluctuation when The Moon card comes up in a reading. In interpreting The Moon card, we look for hidden emotional reactions to our “human condition.” It inspires us to turn to the intuitive part of ourselves and listen for hidden messages from our deeper inner being. Here we can experience a “dream time” and give free reign to exploring our imagination and creative ideas. Ask yourself what your moods are and what your emotional reaction is to things right now. Give credence to feminine intuition and pay attention to how you are feeling. In a positive sense, just as the moon is mirroring sunlight, are you feeling strong and good, radiating joyousness and festivity? Or as in the dark side of the moon, are you feeling vulnerable, muddled, anxious, distressed, and stuck in emotional uncertainty?    


Reversed, The Moon card is a warning to beware of illusions, deceptions, wild imaginings, fear, and hidden secrets. Rachael Pollack, in her commentary in the Vertigo Tarot by Dave McKean (DC Comics, 1995), she gives us an interpretation of the meaning of the Moon card in traditional decks (such as the Marseille Tarot): “We have descended below human consciousness to our animal selves (the dog and the wolf) and deeper still to strange primal instincts symbolized by the lobster.” This is a time to go inward and reflect on your thought processes and way of being in the world.

Resources:
The Avebury Cycle, Michael Dames (Thames &Hudson, 1977)
Early Man and the Cosmos, Evan Haddingham (University of Oklahoma Press, 1984)
Stonehenge Decoded, Gerald Hawkins (Dell Publishing, 1965)
In Search of Ancient Astronomies, (Ed.) E.C. Krupp (Griffith Observatory, McGraw-Hill, 1978)
Prehistoric Astronomy in the Southwest, Malville & Putnam, Johnson Printing, 1993)
Southwestern Indian Ceremonials, Mark Bahti (KC Publishing, 1982)
The Mystery of Chaco Canyon, CD by Anna Sofaer, The Solstice Project (Bullfrog Films, 2003)